10.38.9
These, then, live above Amphissa. On the coast is Oeantheia, neighbor to which is Naupactus. The others, but not Amphissa, are under the government of the Achaeans of Patrae, the emperor Augustus having granted them this privilege. In Oeantheia is a sanctuary of Aphrodite, and a little beyond the city there is a grove of cypress-trees mixed with pines; in the grove is a temple of Artemis with an image. The paintings on the walls I found had lost their color with time, and nothing of them was still left worth seeing.
10.38.10
I gather that the city got its name from a woman or a nymph, while as for Naupactus, I have heard it said that the Dorians under the sons of Aristomachus built here the vessels in which they crossed to the Peloponnesus, thus, it is said, giving to the place its name. note My account of Naupactus, how the Athenians took it from the Locrians and gave it as a home to those who seceded to Ithome at the time of the earthquake at Lacedaemon, and how, after the Athenian disaster at Aegospotami, the Lacedaemonians expelled the Messenians from Naupactus, all this I have fully related in my history of Messenia. note When the Messenians were forced to leave, the Locrians gathered again at Naupactus.
10.38.11
The epic poem called the Naupactia
by the Greeks is by most people assigned to a poet of Miletus, while Charon, the son of Pythes, says that it is a composition of Carcinus of Naupactus. I am one of those who agree with the Lampsacenian writer. For what reason could there be in giving the name of Naupactia
to a poem about women composed by an author of Miletus?
10.38.12
Here there is on the coast a temple of Poseidon with a standing image made of bronze; there is also a sanctuary of Artemis with an image of white marble. She is in the attitude of one hurling a javelin, and is surnamed Aetolian. In a cave Aphrodite is worshipped, to whom prayers are offered for various reasons, and especially by widows who ask the goddess to grant them marriage.
